WHY?
Actually, I catch the train more regularly but this has nothing to do with me and my travel habits. A review of the album in Spectrum on
New Year’s Even caught my eye and after taking advantage of the sixty second preview
on iTunes I knew this was an album (and local band) I would love.
Lacking the right understanding of music to
properly describe the experience of listening to this album, to me Clairy Bower
has a voice like whisky and cigarettes. The lyrics and sound is reminiscent of
the sixties songs I was so fond of listening to when I was younger (and opened
me up to ridicule on the bus to year 7 camp but there’s nothing positive about
that story so I’m not going there) and the group name alone reminds me of great
sixties bands like “Bill Hailey and the Comets” or “the Shangri-La’s”. Think
the Ronettes fronted by Amy Winehouse!!
A couple of the songs (Far Too Late and
I’ll Be Fine) create mental images of grainy black and white film clips with
the backing singers off to the right, bopping along to the bee-hived lead
singer in the centre. For others, a spot
light on Clairy Browne who is standing behind microphone singing her soul out to a darkened room while ashing her
cigarette and drink spilling from her glass.
Defined as doo-wop, rhythm and blues, and
soul , I don’t care what you call the music but I dare you to remain seated
when Frankie is playing!
Reviewer Bernard Zuel writes “... you can tell Clairy Browne and her
expansive band are a seriously good live act. She’s got a voice that has grit
and kick but can run smooth when needed; they’ve got thrust and swing and
aren’t afraid of letting go” .
Sadly I won’t be able to see them perform
live when they’re in Sydney for part of the Sydney Festival later this month as I am taking the
first steps of my second New Year’s goal… to learn how to swing dance! I’ll
just have to keep an ear to the ground for their next performances and put some
of those moves to good use...

